politico

Chapter 5 - The Riverdale House

The Costello estate in Riverdale was not a fortress made of concrete and barbed wire.

It was an old, sprawling Victorian house built of dark red brick and grey slate, sitting on a high bluff overlooking the Hudson River. High iron gates guarded the long stone driveway, flanked by two stone pillars covered in dark green ivy.

The dark gray Explorer pulled up to the front steps at six-thirty in the morning.

Chloe stepped out of the car into the crisp, cold river air. She wrapped her black winter coat tight around her shoulders, staring up at the grand house.

The front door swung open before she reached the top step.

Gabriel stood in the doorway. He looked terrible. He was wearing an unbuttoned black shirt and dark trousers, his dark hair messy, his eyes bloodshot and surrounded by deep, bruising shadows. The white scar on his jawline stood out starkly against his pale skin.

He looked at Chloe as she reached the threshold. He didn't say thank you. He didn't offer a polite greeting. He simply stepped aside and held the door open, his broad shoulder brushing against hers as she passed into the grand entry hall.

The house smelled of old wood, beeswax polish, espresso, and fresh lilies.

“She’s in the kitchen,” Gabriel murmured, pointing down a long wood-paneled hallway hung with oil paintings of dark, solemn men in old-fashioned suits.

Chloe walked down the hall, her sneakers squeaking softly against the polished oak floorboards.

The kitchen was vast, bright, and lined with white marble counters and high arched windows overlooking the gray, misty waters of the Hudson below.

Beatrice Costello sat at a large butcher-block island in the center of the room.

In front of her lay three cardboard shoe boxes filled with yellowed photographs, old newspaper clippings, and handwritten letters tied together with faded red ribbon. She wasn't looking at them. She was staring out the window at the river, her small hands resting flat against the wood, entirely motionlessness.

“Mrs. Costello?” Chloe called out softly, forgetting for a moment that the sound meant nothing.

She walked into the old woman's line of sight and raised her hands into the soft morning light.

Hello, Chloe signed gently.

Beatrice’s head snapped around.

When she saw Chloe standing near the marble counter, the heavy, hollow darkness in the old woman's eyes vanished instantly. She let out a soft cry, stood up so fast her chair screeched against the floor, and hurried around the island.

She didn't sign. She didn't pause. She threw her small arms around Chloe’s waist and pressed her face into Chloe’s winter coat.

Chloe stood frozen for a second, startled by the sudden intensity of the embrace, then slowly wrapped her arms around the old woman’s thin shoulders, resting her chin against the soft, silver hair that smelled of lavender soap.

I thought he locked you away too, Beatrice signed rapidly the moment she pulled back, her fingers brushing against Chloe’s sleeves. He put four men at my gate! He took my car keys! He’s acting like his father when the war started in ninety-four!

Chloe pulled up a wooden stool and sat down beside her. He’s worried about you.

He’s an idiot who thinks walls keep out trouble! Beatrice signed angrily, her small hands chopping through the air. Then her expression softened, her gaze dropping to the open shoe boxes on the island. Look at this. Look at what he’s trying to protect.

Chloe leaned forward.

Inside the boxes were photographs of a younger Beatrice—vibrant, beautiful, with dark curls and flashing eyes—standing beside a broad-shouldered man with Gabriel’s exact jawline and intense, dark eyes.

In every photograph, the man was holding Beatrice’s hand. Not around her waist, not over her shoulder—always her hand, his fingers laced tightly through hers.

My husband, Vito, Beatrice signed, her eyes swimming with old memories. He didn't know sign language when we met in Palermo. Not a word. But he learned thirty signs in his first week just so he could ask my father if he could take me to the sea.

Chloe picked up a black-and-white photo of Vito standing near a small fishing boat, his face flushed with laughter, his hands raised in a rough, comical shape.

He signed to me every day, Beatrice signed softly, her fingers moving like autumn leaves in a light breeze. Even when his crew was waiting in the car. Even when the police were at the door. He never made me feel like I was living in a room without windows.

She looked up at the kitchen doorway.

Gabriel was standing in the shadows of the hall, his broad frame leaning against the doorframe, watching them in absolute silence.

He had been watching his mother’s hands.

Chloe looked at Gabriel, then looked back at Beatrice.

He’s trying to learn, Chloe signed to the old woman, making sure Gabriel could see her hands clearly. He’s slow, his hands are like concrete blocks, and his grammar is terrible... but he’s trying.

Beatrice looked at her son.

Gabriel took a slow step out of the shadows into the bright morning light of the kitchen.

He looked at his mother. Then, with painstaking slowness, his thick, calloused fingers raised into the air between them.

He made six rough, awkward signs: I am sorry. I love you. Stay safe.

It took him almost thirty seconds to finish the sentence. His hands shook, his face was red with embarrassment, and he looked like a man standing before a firing squad.

Beatrice sat entirely still.

Then, she let out a long, trembling breath, reached across the butcher block, and grabbed his right hand, pulling his massive palm against her cheek.

Better, Beatrice signed with her free hand, a tiny, watery smile touching her lips. Your thumb was still wrong on 'love'... but better.

Gabriel let out a quiet sound that was half-laugh, half-sob, dropping to one knee beside his mother’s stool and resting his forehead against her knee, his large hand wrapping securely around her small fingers.

Chloe quietly stood up from her stool, stepping back toward the hallway to leave them alone.

As she reached the door, Gabriel’s voice stopped her.

“Chloe.”

She turned around.

Gabriel was still kneeling on the floor, his head lifted, looking at her with an intensity that made her breath catch in her throat.

“Thank you,” he said quietly.

May you like

Chloe looked at him, then at the old woman holding his hand under the warm morning light.

“You’re welcome, Gabriel,” she whispered.

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